Thursday, 1 December 2016

The Well-Educated Mind: Reading The Histories



Ruth at A Great Book Study is beginning to read through The Well-Educated Mind Histories beginning January 1, 2017 and I'm going to join her on the journey.  We read through the Biographies together (or almost. I still have The Gulag Archipelago to finish up) and while it took two and a half years, it seems just like yesterday that we began.



Now, I'm under no illusions; the histories are going to take longer, especially if one wants to really absorb them.  Here is the list:

  • The Histories by Herodotus
  • The Peloponnesian War by Thucydides
  • The Republic by Plato
  • Plutarch’s Lives
  • The City of God by St. Augustine
  • The Ecclesiastical History of the English People by Bede
  • The Prince by Niccolo Machiavelli
  • Utopies by Sir Thomas More
  • The True End of Civil Government by John Locke
  • The History of England, Vol. V by David Hume
  • The Social Contract by Jean-Jacques Rousseau
  • Common Sense by Thomas Paine
  • The History of the Decline and Fall of the Roman Empire by Edward Gibbon
  • A Vindication of the Rights of Woman by Mary Wollstonecraft
  • Democracy in America by Alexis De Tocqueville
  • The Communist Manifesto by Karl Marx & Friedrich Engels
  • The Civilization of the Renaissance in Italy by Jacob Burckhardt
  • The Souls of Black Folk by W.E. B. Du Bois
  • The Protestant Ethic and the Spirit of Capitalism by Max Weber
  • Queen Victoria by Lytton Strachey
  • The Road to Wigan Pier by George Orwell
  • The New England Mind by Perry Miller
  • The Great Crash 1929 by John Kenneth Galbraith
  • The Longest Day by Cornelius Ryan
  • The Feminine Mystique by Betty Friedan
  • Roll, Jordan, Roll: The World the Slaves Made by Eugene D. Genovese
  • A Distant Mirror: The Calamitous Fourteenth Century by Barbara Tuchman
  • All the President's Men by Bob Woodward & Carl Bernstein
  • Battle Cry of Freedom: The Civil War Era by James M. McPherson
  • A Midwife's Tale: The Life of Martha Ballard, Based on Her Diary by Laurel Thatcher Ulrich
  • The End of History and the Last Man by Francis Fukuyama


Some of these I'm so excited to read, such as The Histories, The Republic, The Prince, The Social Contract, and A Distant Mirror; others leave me rather unmoved, for example, The True End of Civil Government (big yawn!), Common Sense and The Feminine Mystique.  I expect to have some surprise favourite and flops before the read is over.

There is also a Reading the Histories group on Goodreads where we'll be able to discuss as we go.  So please join us if you feel so inclined and we can read the histories together.  You never know where they may take us!


Thursday, 24 November 2016

Jane Eyre ~ Chapters XXXV, XXXVI, XXXVII & XXXVIII



Chapter XXXV

St John makes Jane pay for her unpopular decision to reject his marriage offer with a cold aloofness and a determined effort to display his displeasure.  Jane declares he does not act maliciously, but this reader must disagree with her assessment of his actions.  His sisters are at first pleased that he has offered for Jane, then appalled at his lack of emotion with regard to the attachment, and his efforts to take her to India where they are certain she'll die.  St John attempts once again to change her mind and she is firm, yet after his reading from Revelation one night and his entreaties after, she finds her will bending to his until she hears a voice calling her:  "Jane, Jane, Jane."  She is as certain of it being the voice of Mr. Rochester, as she is certain of her actions the next day and, brushing off St John, retires to her room to await the morning.

The Proposal (1825)
Thomas Clater
source ArtUK



Chapter XXXVI

St John has left for Cambridge for a fortnight when Jane awakens the next morning but has left her a note almost demanding her reconsideration.  Jane gives it little thought, taking leave of Diana and Mary and setting out in a coach for Thornfield.  She stays at the Rochester Arms, and the next morning walks to the great hall with an impatient anticipation.  However, upon setting eyes on Thornfield she is given a great shock; the house is burned to the ground and with a heavy heart she returns to the inn to ask the cause of the blaze.  It was set one night by a lunatic who was kept in the house.  She escaped from her keeper, Mrs. Poole, who liked to tipple, and Rochester, distraught after the disappearance of the governess he loved and longed to marry, was at Thornfield alone.  He tried to save the lunatic, his wife, but she threw herself from the battlements.  While trying to save the other occupants of the house, the staircase he was on collapsed, and the result was that he is now stone blind.  He lives at Ferndean manor house presently and Jane immediately hires a conveyance to take her there.

Manor House, Ilkley
John F. Greenwood
source ArtUK



Chapter XXXVII

Jane arrives at Ferndean just before dark.  Buried deep in a wood, the building is modest and unpretentious.  As she approaches the desolate spot, she spies a figure on the step and knows at once that it is her own Rochester.  His movements are heartbreaking as he struggles to find his blind way to the grass plot in front.  John, the servant, draws near, offering him his arm, which he ungraciously refuses.  After he re-enters the house, Jane knocks and reveals herself to an astonished Mary, then after requesting accommodation, goes into the sitting room to face Rochester.  Carrying in a tray, she offers him a glass of water while an excited Pilot dances around her. Immediately Rochester senses all is not right; he questions her identity while claiming that he is under a delusion.  While he explores her with his hands, he rambles on like a man in a dream.  Is this really his love come back to him again?  When he finally acknowledges that it is she, he questions her rapidly, finding out that she is rich, who she has been with, and that she has had a marriage proposal.  At first he is irritated and self-deprecating, but finally he rises from his funk and asks for her to be his wife, to which she readily agrees.  Eventually, Rochester speaks of a night of longing for her, where he prayed to God and called her name.  Jane discovers it is the same night that she'd heard his voice but doesn't reveal the fact, deciding he has already enough burden and does not need that of the supernatural.


First Born (1881)
Josephus Laurentius Dyckmans
source ArtUK


Chapter XXXVIII

"Reader, I married him."

And thus ends this wonderful novel.  The wedding was a quiet one with only the parson and clerk present with the couple.  John and Mary are informed; St John is written to but does not respond until six months later; Diana and Mary approve and wish to visit; Adèle is brought home then sent to school again.  Two years later Rochester partially recovers his sight enough to see his first-born son put into his arms.  Diana and Mary both marry and St John becomes an indefatigable and zealous missionary in India.  The last letter Jane receives indicates that he is dying and she feels compassion for this stern but dedicated man whose passion for Christ is unwavering.


A Wooded Walk (1650)
Jan Lievens
source ArtUK

I simply cannot have the same admiration that Jane has for St John's Christian zeal. Regardless of his dedication, the lack of understanding and harsh condemnation he shows towards her for her decision must naturally carry into his dealings with others and the representation of his faith is injurious instead of edifying.

I'm still somewhat puzzled as to why Jane did not want to tell Rochester about her premonition.  Given that they later become inseparable and tell each other everything, why would she withhold this information from him?  The supernatural occurrence brought her to him and it's revelation should be uplifting.  Why such reticence?

I also found the ending to the novel curious.  Why end with an observation on St John? His character was interesting as a contrast, but on its own was rather one-dimensional. Was it an indication that his forceful character still had even a tenuous hold over her?  A commentary to stress the importance of his perseverance for spreading the gospel?  I'm not sure .....

What I am sure of is that this read-along has come to an end, and a thoroughly enjoyable read-along it was!  Thanks to Hamlette for another meander through a classic favourite.  I'm already looking forward to the next one!



Wednesday, 16 November 2016

Where Have I Been? Meet Finn!

Well, I suppose I haven't been absent from my blog for that long, but much longer than I usually would.  I can't use busyness as an excuse because I'm nearly always busy, however this time the busyness seems to have doubled as I have a new addition to my family.

As those of you who have followed my blog for over a year know, my beloved Australian Shepherd, Bear, passed away last November.


I took his loss harder than I ever thought I would.  He was a challenge at times, but so uniquely Bear, that his absence left a huge hole in my existence.  Yet in spite of the sadness, a house just doesn't seem like a home without a dog around, and with that in mind, a few months ago I put my name on a few "puppy lists."  There is such a demand for Aussies, you never seem to know for sure if you'll get one, but a few weeks ago we were informed that a puppy was ours.  

On Sunday we brought home a Blue Merle Male, and named him Finnegan:



He is sooooo cute and adorable and lovable and very good too, as far as puppies go. So we've been having a wonderful time getting acquainted, but I hope to be back to blogging soon!  I have the last few chapters of Jane Eyre to post on, and I've also finished The Brothers Karamazov and hope by some miracle to be able to put together a review of it.  But until then, I'm off to play ......... :-)

Thursday, 3 November 2016

Jane Eyre ~ Chapters XXXII, XXXIII, XXXIV



Chapter XXXII

Although Jane assiduously performs her tasks as schoolteacher at the poor school, she still dreams (literally) of Rochester and spending her life by his side.  Rosamond Oliver visits the school and Jane observes the emotionally charged exchanges between her and St John, but the latter's heart is guarded by his determination and ambition.  She is commission to sketch Miss Rosamond, and one evening when St John sees the portrait by accident, Jane takes the initiative to question him with a startlingly frank audacity.  He admits that while he loves Rosamond, he is convinced that she is not the partner for him and that they would make each other unhappy.  She is not set to be a missionary's wife, and he refuses Jane's offer to paint him a copy of the lovely girl.  As he moves to draw a blank sheet of paper over the portrait, he tears a tiny section from it and slips it into this glove.  Jane is puzzled by his actions but soon dismisses and forgets them.


A Young Woman in a Blue Dress Sketching (19th C.)
British (English) School
source ArtUK


Chapter XXXIII

In the midst of days of snowstorms, St John visits Jane at her cottage while she reads his gift to her, Marmion, a recently published poem by Walter Scott.  At first, he behaves with an unusual, almost secretive demeanour, but soon Jane learns his errand.  The paper he ripped from her page previously, was a section where she had doodled her real name, Jane Eyre.  From this, he began inquiries and has now not only learned her story, but aspects of it of which Jane herself was not aware.  Jane, however, is only concerned of his inquiries of Thornfield and asks for news of Mr. Rochester.  Nothing is forthcoming though, and St John informs her that now that her uncle is dead, she has inherited all of his property and is now a rich woman.  Jane is suspicious of his means of discovery and when she presses further, finds out that her uncle was also the uncle of St John, Diana and Mary, and that they are all cousins.  With this in mind, she refuses the large fortune and instead intends to split it equally between the four of them.  She states her intention to remain at the school until a new mistress can be found, and soon the inheritance is divided between them.




Arts, Wealth, Pleasure and Philosophy (1800)
Pierre-Paul Prud'hon
source Wikiart


Chapter XXXIV

As the Christmas season comes, Jane closes Morton school and expresses her desire to clean and do some Christmas baking, for which she earns displeasure from St John and an entreaty not to become slothful.  His dour disapproval of anything easy and entertaining begins to show her his faults and unsuitability as a husband.  Diana and Mary arrive and their gay festive spirit further oppresses St John.  News is given that Rosamond is about to be wed and St John congratulates himself over the conquering of his emotions.  He convinces Jane to learn Hindustani, as a help to him as he prepares for his missionary work and proves himself a stern and unyielding taskmaster.  Jane's will to please him, begins to hold her in thrall to his desires, but she has not forgotten Rochester, yet her letters to Mrs. Fairfax to inquire about his well-being remain unanswered.

To Jane's surprise, six weeks before his departure, St John asks her to accompany him as his wife and although Jane agrees to go as a sister, he is implacable in his demands. She begins to see his many, many flaws and thus, is able to deal with him easier as he is brought to her level.  St John continues to punish her with his disapproving silence and even when they try to reconcile, nothing but her complete obedience to his wishes and will would satisfy him:

"As I walked by his side homeward, I read well in his iron silence all he felt towards me: the disappointment of an austere and expected submission --- the disapprobation of a cool, inflexible judgement, which has detected in another feelings and views in which it has no power to sympathize: in short, as a man, he would have wished to coerce me into obedience: it was only as a sincere Christian he bore so patiently with my perversity, and allowed so long a space for reflection and repentance ........

.... He was deeply displeased by what had occurred that day; cordiality would not warm, nor tears move him.  No happy reconciliation was to be had with him --- no cheering smile or generous word: but still the Christian was patient and placid; and when I asked him if he forgave me, he answered that he was not in the habit of cherishing the remembrance of vexation; that he had nothing to forgive, not having been offended.
 

And with that answer he left me.  I would much rather he had knocked me down."


The Christmas Tree
John Henry Twachtman
source Wikiart


Jane reveals more and more of her character.  I've discovered that what she says about herself is much more important than her outward actions.

She acts with firm resolution in drawing people out of themselves, a unique trait for a woman of her time.
"For me, I felt at home in this sort of discourse.  I could never rest in communication with strong, discreet, and refined minds, whether male or female, till I had passed the outworks of conventional reserve, and crossed the threshold of confidence, and won a place by their heart's very hearth-stone."

Her "gift" is instrumental in helping the person to know himself better and this quality of hers is invaluable to those around her.

The character of St John is well-crafted.  I had always thought that his Christianity was the catalyst for his dour character and stringent and unyielding expectations, but Jane often alludes to these characteristics as being outside of his faith and, in fact, it's his faith that holds them in check.  It's not because of his faith that he is this way, rather he uses his faith simply as a vehicle to act out his convictions.  Very interesting.






Tuesday, 25 October 2016

Jane Eyre ~ Chapters XXIX, XXX, XXXI




Chapter XXIX

While three days and nights pass, Jane continues in a stupor, confined to a bed in the Rivers' household.  We learn of her impressions of the family, the sisters being warm and inviting, but their brother St John, displays a different character.  His reserve, quick judgements, distrust and attention to outward appearance are readily obvious.  When feeling a little better, Jane makes her way to the kitchen, where she meets Hannah.  All Hannah’s prejudices against Jane are aired and cleared, encouraged by Jane’s firm resolution and straightforward honesty.  They become fast friends.  At tea with St John and his sisters, he attempts to learn more about Jane, while she examines him.  His features are described as very handsome and harmonious, but underneath she senses a negative energy about him.

“….. (he) scarcely impressed one with the idea of a gentle, a yielding, an impressible, or even of a placid nature.  Quiescent as he now sat, there was something about his nostril, his mouth, his brow, which, to my perceptions, indicated elements within either restless, or hard, or eager …….

Had he been a statue instead of a man, he could not have been easier…..”

Jane gives an alias of Elliot, tells them about Lowood school but refuses to reveal anything about Thornfield Hall or the happenings there.  St. John relents in his questioning, promising to find her employment.


The Kitchenmaid (1712)
Guiseppe Maria Crespi
source Wikiart


Chapter XXX

Jane begins to develop an intimacy with Diana and Mary, but with St John any deeper connection seems impossible and she has many observations why this is so, including his frequent absences from home, his reserved nature, his lack of interaction with nature, his uncommunicativeness and his lack of peace.

“But besides his frequent absences, there was another barrier to friendship with him: he seemed of a reserved, an abstracted, and even of a brooding nature.  Zealous in his ministerial labours, blameless in life and habits, he yet did not appear to enjoy that mental serenity, that inward content, which should be the reward of every sincere Christian and practical philanthropist ……”

Yet while Jane criticizes her benefactor, she also sees parallels in their situations:

“….I was sure St John Rivers --- pure-lived, conscientious, zealous as he was --- had not yet found that peace of God which passeth all understanding: he had no more found it, I thought, than had I, with my concealed and racking regrets for my broken idol and lost Elysium --- regrets to which I have latterly avoided referring, but which possessed me and tyrannized over me ruthlessly.”

Finally she is offered employment by St John as a schoolteacher at a girls' school he established for the poor in the village of Morton.  As the sisters must make their own way in the world since their father’s death and are soon to leave for B----, Jane accepts.  The death of the Rivers’ uncle for a moment gives them new hope for their prospects but his mean spirit leaves them little in his will and they all leave for their respective posts.  Jane’s new life begins.


A Dame's School (1845)
Thomas George Webster
source ArtUK


Chapter XXXI

Jane’s new home is a little cottage in Morton, set aside for the schoolteacher.  As she takes up her new task, she thinks of her old life and begins to come to terms with her decision to leave Thornfield, realizing that if she had succumbed to her sentiments and passions, her inner soul would have been damaged, and for a short time of bliss, she would have paid with a lifetime of regret. 

St John visits one day and while revealing his past struggles and his plans for his future, a girl appears, causing him to blanch.  She is more beautiful than description, and while she attempts to establish an intimacy with St John, he is rather implacable and refuses her invitation to see her father.  It is the heiress. Rosamund Oliver of Vale Hall, but St John seems impervious to her charms.  Jane is intrigued by the exchange.

The Cottage Door (1825)
William Collins
source Wikiart

Initially I wasn’t really looking forward to this part of the book, but I’m finding it compelling this time.  I’m quite loving the contrast between St John and Rochester, and appearance and character.  Rochester’s looks are not outwardly pleasing and his behaviour is not always what would be considered socially pleasing, yet Jane senses that there is a hidden part of his nature that is constant and earnest and has great depth, only it has been corrupted by his life circumstances.  With St John, however, although he is pleasing to look at, and his behaviour is outwardly acceptable, there is a hardness and lack of empathy to him, that does not bode well for any sort of formed intimacy or deep relationship. 

I also like how Jane, while seeing faults in others, also sees them in herself.  While she recognizes that St John has not found peace in his faith or life, she knows that she struggles in this area too and why. 

Since Tom’s comments in my last post about seeing Jane as an unreliable narrator, I have been trying to, but failing miserably.  She simply seems too insightful and too willing to criticize herself for her own failings to be unreliable, or at least from the view of a conscious authorial unreliability.  I'll keep trying though.






Friday, 21 October 2016

The Great Ideas ~ How To Think About Opinion



How To Think About Opinion


This section is presented as a conversation between Adler and Lloyd Luckman.  I'm not certain who Mr. Luckman is but he appears to be Adler's co-host and interviewer for the TV show.  Luckman is confused as to why Adler would consider "opinion" a great idea. Adler explains.

He addresses both the theoretical significance and the practical significance of opinion.


The Theoretical Significance of Opinion

The greatest problem in determining certainty and probability is the distinction between knowledge and opinion, therefore to judge the worth of opinions, people created the theory of probability.  For a sceptic, we know nothing for certain and everything is a matter of opinion.  One opinion is just as good as another and everything is subjective and relative.

Opinion is also connected with the great theoretical problem of agreement and disagreement.  We essentially agree and disagree on every fundamental question.


The Practical Significance of Opinion

"Controversy" has almost become a bad word but discussion and public debate are crucial to the health of a society.  We have a moral duty to be hospitable to controversy.

Majority rule is essential in a democracy, but we also need to respect what is sound in the judgement of the minority.

A Difference of Opinion (1896)
Sir Lawrence Alma-Tadema
source Wikiart


Characteristics of Opinion as Contrasted with Knowledge

It is important to see the difference of both in terms of truth, but there is a definition of truth that must be agreed upon, and he proposes the following:  "A statement is true if it says that that which is is, or if it says that which is not is not; and a statement is false if it says that that which is not is, or that which is is not."

Opinion versus Knowledge


Knowledge is having the truth and knowing that you have it.  Opinion consists in not being sure that you have the truth or not being sure what you say is true or false.  For example, in a courtroom there is an opinion rule where the witness must state what he saw happen, not what he thinks happened.  Opinions can be right or wrong, true or false.  Knowledge cannot be false.

Another criteria for judging on knowledge or opinion is whether something is universally known or agreed upon.  If everyone MUST agree, it isn't opinion, it's knowledge.

Additional criteria:

  • Doubt and belief are relative only to opinion, never to knowledge. For example, "two plus two equals four" is known.  As to whether there will be another world war or not, one can only offer an opinion.


A Right To Our Own Opinion


  • There is no conflict with knowledge but there can be conflicting opinions.  Reasonable men can agree to disagree.
  • We can talk about a consensus of opinion, but we never refer to a consensus of knowledge.  Aristotle's rule for consensus of opinion is:  "In arguments dealing with matters of opinion, we should base our reasoning on the opinions held by all.  Or if not by all, at least those held by most men.  Or if not by most men, at least by their wives.  And in the last case, if we are basing it on the wives, then we should try to base our opinion or arguments on the opinions held by all the wives or if not by all the wives then by the most expert among them or at least by the most famous."  Rarely is there unanimity in consensus of opinion.

Aristotle
PaoloVeronese
source Wikiart



Questions, questions and more questions !!!

About what sort of things can we have knowledge, and about what sort of things can we only form opinions?  Plato believed that it was only possible to have knowledge about those things that were fixed, permanent or eternal, but Aristotle disagreed, holding that it was possible to have knowledge of both the physical world and eternal ideas.

What is the psychological difference between knowing and opinion?

Can we have knowledge and opinion about the same thing?  Or is it possible for someone to have knowledge about something, about which another person has only an opinion?

How much knowledge do we have?  To what degree are the things that we deem to know really things we know or only things that we opine?

Socrates said that only God knows and for the most part, men have nothing better than opinion.  To know this is wisdom.  He was being rather ironic and intended to go on with the inquiry, which Adler plans to do in the next section where he examines in greater depth the difference between knowledge and opinion.

A Difference of Opinion as to a Treaty
Herman Frederik Carel Ten Kate
source ArtUK




Tuesday, 18 October 2016

The Well at the World's End by William Morris

"Long ago there was a little land, over which ruled a regulus or kinglet, who was called King Peter, though his kingdom was but little."

King Peter of Upmeads has four sons, Blaise, Hugh, Gregory and Ralph.  All resolve to set out to seek great adventures but the youngest, Ralph, decides to do so against his father's wishes.  Encouraged by Dame Katherine, a newly married lady to the chapman, she gives him a beaded necklace of blue and green stones and inspires him to find the Well at the World's End.

"Son, true it is that the water of that Well shall cause a man to thrive in all ways, and to live through many generations of men, maybe, in honour and good-liking; but it may not keep any man alive for ever; for so have the Gods given us the gift of death lest we weary of life ......

Of strife and of war also we know naught: nor do we desire aught which we may not easily attain to.  Therefore we live long, and we fear the Gods if we should strive to live longer, lest they should bring upon us war and sickness, and over-weening desire, and weariness of life.  .....

.... ye wear away your lives desiring that which ye may scarce get; and ye set your hearts on high things, desiring to be master of the very Gods.  Therefore ye know sickness and sorrow, and oft ye die before your time, so that ye must depart and leave undone things which ye deem ye were born to do; which to all men is grievous.  And because of all this ye desire healing and thriving, whether good come of it, or ill.  Therefore ye do but right to seek to the Well at the World's End, that ye may the better accomplish that which behoveth you, and that ye may serve your fellows and deliver them from the thralldom of those that be strong and unwise and unkind, of whom we have heard strange tales."

Ralph's youth and inexperience are apparent at the beginning of the story, as he travels first to Bourton Abbas and then through the Wood Perilous, meeting up with various adventures and challenges on his journey.  He encounters two women, both of whom he loves, yet one whom he is not destined to keep.  Finally, with Ursula, his love, and with the help of the Sage of Sweveham, they manage to attain their quest, finding the Well and drinking of its bounty.  Their return home is also fraught with danger and intrigue, as Ralph learns the value of perseverance and the rewards of loyalty.


The Vision of the Holy Grail tapesty (1890)
Sir Edward Burne-Jones (design and figures)
William Morris (design and execution)
source Wikipedia


Born in Essex, William Morris had a number of accomplishments and careers during his life, including that of a textile designer, a poet, a novelist and a social activist.  Though classically trained at Oxford, Morris became an architect, and with his friends, the well-known artists Edward Burne-Jones, Dante Gabriel Rossetti, and archtitect Philip Webb, they formed a decorative arts firm that became the rage of the Victoria era.  His renown as a poet followed, and he further exercised his literary talents as a novelist.    His interest in Marxism and concern for social issues developed an appetite for activism which lasted throughout his life.  He died in 1896 of tuberculosis at the age of 62.

The Merciful Knight (1863)
Edward Burne-Jones
source Wikiart

The Well at the World's End is a very curious mix of fairy tale, adventure, and rather risque scenes and actions for the time period of Victorian England.  While it reminded me very much of Le Morte d'ArthurThe Faerie Queene, and Sir Gawain and the Green Knight, Morris was not reluctant to reveal the physical attraction between Ralph and the women he encountered, nor did he prevaricate about their physical relationship, however, he did so in rather a romantic knightly way.  Morris was a muse for writers like C.S. Lewis and J.R.R. Tolkien who admired his pioneering work in the genre of fantasy fiction, and the names "Gandolf" and "Silverfax" which appear in The Well at the World's End, are echoed also in The Lord of the Rings.


Danaë (The Tower of Brass) 1887-88
Edward Burne-Jones
source ArtUK

This book was a wonderfully rich and exciting read, full of heroic exploits, peril and satisfying resolutions.  Morris was indeed a talented writer and his love for the Medieval is apparent in every word of the story.  I own his book, The News From Nowhere, which I hope to read soon as a follow-up.  Being compared to Gulliver's Travels and Erewhon, it's a complete deviation from this story ---an utopian novel of a libertarian socialist bent. In any case, his story telling abilities solidified themselves for me with this novel and I'm looking forward to exploring more works from Morris.

Lamia and the Soldier (1905)
John William Waterhouse
source Wikiart